Alfie Boe stars at Tabernacle Chapel, Llanelli


Aflie Boe with Adele O’Neill, the Llanelli Choral Society, Hywel Girls Choir and Hywel Boy Singers at Tabernacle Chapel, Llanelli.
Alfie Boe came, saw and conquered when he ventured into Llanelli, one of the heartlands of the Welsh choral tradition.
There was something of the rock star about Boe’s appearance – cruising up to the chapel vestry at Tabernacle in a shiny blue Bentley limousine and taking the ‘stage’ in T-shirt and cloth waistcoat.
Well, it wasn’t so much of a stage – it was a case of “the first time I’ve sung in a pulpit” for the Lancashire singer who is the current holder of the unofficial Britain’s Most Popular Tenor title.
A pulpit may not be the best canvas to display years of stagecraft (even if Boe did attempt a tap dance at one stage!), but this concert wasn’t about showmanship; it was all about the voice.
And, boy, what a voice.
There was a Neapolitan air to Boe’s first-half appearance with Tosti’s A Vuccella and Marchiare and Parlami d’Amore by Bixio and Ghitarrra Romano by Lazzaro.
After the interval, Boe pulled out the guaranteed crowd-pleasers – Some Enchanted Evening, On The Street Where You Live, If I Loved You, Hushabye Mountain and a wonderful duet with soprano Adele O’Neill of Tonight from West Side Story.
Inevitably, the show finished with excerpts from Les Miserables. In Llanelli, Boe is known as the second most famous man to have played Jean Valjean: the first being Burry Port’s John Owen Jones, of course.
Boe’s version of Bring Him Home was wonderfully expressive. But better than the John Owen Jones treatment? It’s a close run thing.
On the choral side of the evening, it was no contest: The youngsters representing the Hywel Girls Choir and the Hywel Boys Singers comfortably put their older colleagues in the Llanelli Choral Society in the shade.
But on a night of many voices, one soared above them all to the heights of the ‘Emmanuel’ on the ceiling of Tabernacle Chapel – that of one Alfie Boe.

Comments

Anonymous said…
Alfie's magnificent voice just goes from strength to strength, Llannelli are indeed very fortunate to have witnessed what sounds to be a beautiful evening of song. Would loved to have been there.

Ann Warren (Norwich)
Anonymous said…
He was a cocky twat who looked and sounded a shambles. His head in his music for every piece, just not good enough. A total bullshit review fron Robert Lloyd who knows nothing about singing i am sorry. For me the soprano and children's choir outshone him without a shadow of a doubt.
Geoff Griffiths audience member.
Anonymous said…
He refused to sing without a mic too, he told the choir who he would not perform without one and didn't care about leaving all his faithful fans down. The choir frantically rang around theatres and sound equipment companies and finally found him a mic at the last hour! I have watched countless concerts at tabernacle and it has the most amazing acoustic so it's utter nonsense to demand a mic. An opera singer should not need a mic.
Robert Lloyd said…
Geoff - not exactly the most eloquent assessment I've heard, but I am enough of a 'free speech' supporter to allow a number of views on this site.
siren235 said…
Happened on this review completely by accident, but now I'm curious. If Geoff was an audience member, how would he know if Boe "refused to sing without a mic"? If someone behind the scenes told him, why not source it? Geoff attacks both the singer and the reviewer for liking him. Interesting....
Robert Lloyd said…
Siren - think you will find 'Anonymous' came up with the microphone comments. But your point is still well made.

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